Film as a narrative genre F1. There are three common terms referring to our subject:
Posted on September 30, by Scott Alexander [Content warning: Try to keep this off Reddit and other similar sorts of things. All the townspeople want to forgive him immediately, and they mock the titular priest for only being willing to give a measured forgiveness conditional on penance and self-reflection.
They lecture the priest on the virtues of charity and compassion.
Later, it comes out that the beloved nobleman did not in fact kill his good-for-nothing brother. The good-for-nothing brother killed the beloved nobleman and stole his identity. Now the townspeople want to see him lynched or burned alive, and it is only the priest who — consistently — offers a measured forgiveness conditional on penance and self-reflection.
The priest tells them: You forgive a conventional duel just as you forgive a conventional divorce. He further notes that this is why the townspeople can self-righteously consider themselves more compassionate and forgiving than he is.
Actual forgiveness, the kind the priest needs to cultivate to forgive evildoers, is really really hard. The fake forgiveness the townspeople use to forgive the people they like is really easy, so they get to boast not only of their forgiving nature, but of how much nicer they are than those mean old priests who find forgiveness difficult and want penance along with it.
Whether or not forgiveness is right is a complicated topic I do not want to get in here. You can forgive theft, or murder, or tax evasion, or something you find abhorrent. You can have all the Utility Points you want.
The Emperor summons before him Bodhidharma and asks: How many Virtue Points have I earned for my meritorious deeds? The Emperor, somewhat put out, demands to know why.
Of course I have nothing against gay people! And today we have an almost unprecedented situation.
We have a lot of people — like the Emperor — boasting of being able to tolerate everyone from every outgroup they can imagine, loving the outgroup, writing long paeans to how great the outgroup is, staying up at night fretting that somebody else might not like the outgroup enough. This is really surprising.
No one did any genetic engineering. No one passed out weird glowing pills in the public schools. And yet suddenly we get an entire group of people who conspicuously promote and defend their outgroups, the outer the better. What is going on here? But if the Emperor has curly hair, are straight-haired people part of his outgroup?
I want to avoid a very easy trap, which is saying that outgroups are about how different you are, or how hostile you are. Compare the Nazis to the German Jews and to the Japanese.
|Subscribers||The Becoming of a Management Scientist Introduction and Summary Many people still remain in the bondage of self-incurred tutelage. Self-incurred is this tutelage when its cause lies not in lack of reason but in lack of resolution and courage to use it without wishing to have been told what to do by something or somebody else.|
The Nazis were very similar to the German Jews:Widely respected and admired, Philip Fisher is among the most influential investors of all time. His investment philosophies, introduced almost forty years ago, are not only studied and applied by today's financiers and investors, but are also regarded by many as gospel.
Complexity characterises the behaviour of a system or model whose components interact in multiple ways and follow local rules, meaning there is no reasonable higher instruction to define the various possible interactions..
The term is generally used to characterize something with many parts where those parts interact with each other in multiple ways, culminating in a higher order of emergence.
Of course you shouldn’t tolerate the “intolerable” What I would advocate is trying to expand one’s definition of tolerable. Spending one’s effort in a fight, either political or a literal war, is not usually a good way to increase utility.
The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus. Manfred Jahn.
Full reference: Jahn, Manfred. A Guide to Narratological Film Analysis. Poems, Plays, and Prose: A Guide to the Theory of Literary Genres. English Department, University of Cologne.
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