Some of these poems seem to be successful in combining the traditional form with deep imagery, while others that use deep imagery seem to resonate somewhere inside of me because I am able to identify with the symbols used in them. Over my head, I see the bronze butterfly, Asleep on the black trunk, Blowing like a leaf in green shadow.
Inhe enlisted in the U. Army and participated in the occupation of Japan. Wright subsequently spent a Fulbright year in Vienna and obtained a Ph.
But by the early s, Wright, increasingly influenced by the Spanish language surrealists, had dropped fixed meters. His transformation achieved its maximum expression with the publication of the seminal The Branch Will Not Breakwhich positioned Wright as curious counterpoint to the Beats and New York Schoolswhich predominated on the American coasts.
This transformation had not come by accident, as Wright had been working for years with his friend Robert Blycollaborating on the translation of world poets in the influential magazine The Fifties later The Sixties.
Such influences fertilized Wright's unique perspective and helped put the Midwest back on the poetic map. Wright had discovered a terse, imagistic, free verse of clarity, and power.
Poetry[ edit ] Wright's early poetry is relatively conventional in form and meter, especially compared with his later, looser poetry. Although most of his fame comes from his original poetry, Wright made a contribution to another area or literary modernism- the translation.
His work with translations of German and South American poets, as well as the poetry and aesthetic position of Robert Blyhad considerable influence on his own poems; this is most evident in The Branch Will Not Break, which departs radically from the formal style of Wright's previous book, Saint Judas.
His poetry often deals with the disenfranchised, or the American outsider.
Wright suffered from depression and bipolar mood disorders and also battled alcoholism his entire life. He experienced several nervous breakdownswas hospitalized, and was subjected to electroshock therapy.
His dark moods and focus on emotional suffering were part of his life and often the focus of his poetry, although given the emotional turmoil he experienced personally, his poems can be optimistic in expressing a faith in life and human transcendence.
He is equally well known for his tender depictions of the bleak landscapes of the post-industrial American Midwest.
In addition to his other awards, Wright received a grant from the Rockefeller Foundation. Since his death, Wright has developed a cult following, transforming him into a seminal writer of significant influence.
Fellow Pulitzer prize for poetry winner Mary Oliver wrote "Three Poems for James Wright" upon his death, and hundreds of writers gathered annually for decades to pay tribute at the James Wright Poetry Festival held from through in Martins Ferry.
Published in his lifetime[ edit ] Unless otherwise noted, year is when published:A Blessing by James Wright - Just off the Highway to Rochester, Minnesota Twilight bounds softly forth on the grass. And the eyes of those two Indi. When James Wright first started writing poetry, he often used conventional metrical systems, but in his later work, including "A Blessing," he switched to free verse, which lacks consistent pattern.
Jan 25, · i am writing a paper on "a blessing" by James Wright, and am finding it a bit hard to understand.
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“A Blessing” by James Wright. On December 18, December 12, By Christina's Words In Poetry. Just off the highway to Rochester, Minnesota, Twilight bounds softly forth on the grass. And the eyes of those two Indian ponies Darken with kindness. They have come gladly out of the willows.